Michael McCarthy
This little interlude seems to elicit a deep calming emotional response with a touch of morose melancholy. So much so that it can explain my manic state as I depolarize into oblivion.
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Jay’s theme is probably the closest thing to a Fez track on the score, and that was a late edit. I had written a different theme for Jay that was warmer and more melancholy, but David thought we needed something a bit brighter and retro, so we switched it up to make it more like a reference track from Fez. That was a bit tough for me at the time but I had to go with David’s gut and we didn’t really have a whole lot of time to try a bunch of different things.