Prologue
from Disasters for Piano by David Peacock
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Sheet MusicEdition 2 now available, courtesy of Materia Collective! 154 page book containing 13 piano arrangements, a bonus arrangement of 'The Last General' from Hyper Light Drifter, a transcription of 'Panacea', and reductions (simpler versions) of the 13 songs. New version features two additional songs: "Oklahoma" and "St. Valentine." 30 songs in total.
This product does not include digital sheet music, or the digital album. Contains identical tracklist/arrangements as digital version.
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Disasters for Piano, Second Edition: DIGITAL Sheet Music (PDF)
Sheet MusicNOT SOLD OUT! Due to technical restrictions, the digital sheet music is only available on the Materia Store: materia.to/dfp2BC/materia-storeSold Out
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Disasters for Piano (Book)
Sheet Music + Digital Album145 page booklet containing 13 piano arrangements, a bonus arrangement of 'The Last General' from Hyper Light Drifter, a transcription of 'Panacea', and reductions (simpler versions) of the 13 songs. NOT SOLD OUT: materia.to/dfp2BC/materia-store
Includes unlimited streaming of Disasters for Piano via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Sold Out
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about
Prologue
Rich Vreeland, on the Composition
You encounter a mysterious force and the journey begins. This piece was initially an attempt to update The Solar Prime Elite (see my album, Deorbit) for inclusion on the album Rise of the Obsidian Interstellar. It proved difficult but ultimately worked out as the prologue for the album, albeit in an abridged format.
David Peacock, on the Arrangement
Translating this one was a challenge. Finding a way to interpret arpeggiated synth chords into something one person can play on piano was a great exercise in creatively approaching the material.
Augustine Mayuga Gonzales, on the Performance
Performing this piece reminded me very much of Impressionistic composers like Debussy or Ravel, especially when playing the "water-like" arpeggiated figures. Well articulated fingers coupled with a refined use of pedal help to create these glossy sounds.
Rich Vreeland, on the Composition
You encounter a mysterious force and the journey begins. This piece was initially an attempt to update The Solar Prime Elite (see my album, Deorbit) for inclusion on the album Rise of the Obsidian Interstellar. It proved difficult but ultimately worked out as the prologue for the album, albeit in an abridged format.
David Peacock, on the Arrangement
Translating this one was a challenge. Finding a way to interpret arpeggiated synth chords into something one person can play on piano was a great exercise in creatively approaching the material.
Augustine Mayuga Gonzales, on the Performance
Performing this piece reminded me very much of Impressionistic composers like Debussy or Ravel, especially when playing the "water-like" arpeggiated figures. Well articulated fingers coupled with a refined use of pedal help to create these glossy sounds.
credits
from Disasters for Piano,
released November 1, 2017
license
all rights reserved
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