The Outlaw
from Disasters for Piano by David Peacock
-
Digital Track
Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card -
Buy the Full Digital Album View the Full Digital Album
-
Sheet MusicEdition 2 now available, courtesy of Materia Editions! 154 page book containing 13 piano arrangements, a bonus arrangement of 'The Last General' from Hyper Light Drifter, a transcription of 'Panacea', and reductions (simpler versions) of the 13 songs. New version features two additional songs: "Oklahoma" and "St. Valentine." 30 songs in total.
This product does not include digital sheet music, or the digital album. Contains identical tracklist/arrangements as digital version.
Shipping/handling policy: materia.fyi/shippingships out within 7 daysPurchasable with gift card$25 USD or more
You own this
-
-
Subscription
Subscribe now to receive all the new music Disasterpeace creates, including 46 back-catalog releases, delivered instantly to you via the Bandcamp app for iOS and Android. Learn more.Subscribe Now $100 USD/year or more
about
The Outlaw
Rich Vreeland, on the Composition
Part of a split electronic EP called West, this piece started with a Spaghetti-Western inspired guitar lick, which became the central motif of the song. Hearing it translated to piano was a bit odd at first, but I think it projects a fresh perspective on a similar idea.
David Peacock, on the Arrangement
Instead of a guitarist loosely playing through this theme, we have a pianist. The arpeggiated harp-like runs came about when I was enjoying the chord progression, and became a recurring motif in the arrangement.
Augustine Mayuga Gonzales, on the Performance
The opening was quite a challenge because it was originally written for an improvised guitar. It was not about trying to recreate the sound of the original instrumentation, but to make it sound like it was meant to be written for solo piano.
Rich Vreeland, on the Composition
Part of a split electronic EP called West, this piece started with a Spaghetti-Western inspired guitar lick, which became the central motif of the song. Hearing it translated to piano was a bit odd at first, but I think it projects a fresh perspective on a similar idea.
David Peacock, on the Arrangement
Instead of a guitarist loosely playing through this theme, we have a pianist. The arpeggiated harp-like runs came about when I was enjoying the chord progression, and became a recurring motif in the arrangement.
Augustine Mayuga Gonzales, on the Performance
The opening was quite a challenge because it was originally written for an improvised guitar. It was not about trying to recreate the sound of the original instrumentation, but to make it sound like it was meant to be written for solo piano.
credits
from Disasters for Piano,
released November 1, 2017
license
all rights reserved
tags
discography
-
Aug 2022 -
Jun 2022 -
Mar 2022 -
Jun 2019 -
Apr 2019 -
Mar 2019 -
Jun 2018 -
Nov 2017 -
May 2017 -
Mar 2017 -
Mar 2017 -
Dec 2016 -
Dec 2016 -
May 2016 -
Apr 2016 -
Jan 2016 -
Jul 2015 -
Jul 2015 -
Mar 2015 -
Sep 2014 -
Aug 2014 -
Feb 2014 -
Dec 2013 -
Nov 2013 -
Jun 2013 -
May 2013 -
May 2013 -
Apr 2013 -
Feb 2013 -
Dec 2012 -
Jun 2012 -
Apr 2012 -
Dec 2011 -
Oct 2011 -
Jun 2011 -
Mar 2011 -
Jan 2011 -
Dec 2010 -
Dec 2010 -
Sep 2010 -
Jul 2010 -
May 2010 -
Mar 2010 -
Oct 2009 -
Oct 2009 -
Aug 2009 -
Aug 2009 -
Aug 2009 -
Mar 2009 -
Aug 2008 -
Oct 2007 -
Aug 2007 -
Jun 2007 -
Mar 2007 -
Feb 2007 -
Oct 2006 -
May 2006 -
Apr 2006 -
Oct 2005 -
Dec 2004