Rich Vreeland, on the Composition
The original score for the film Somewhere used the twinkle effects from the animation to come up with the rhythm of its thematic melody. Working on music and sound simultaneously has a certain cathartic, all-devouring effect on me - there are some nifty integrations of the two - one example is the bedroom clock creating a 5/8 polyrhythm against the music. Musically speaking this has kind of a small, indie vibe to it a la The Postal Service that grows more impressionistic and grandiose as the story unfolds.
David Peacock, on the Arrangement
This film left a lasting impression on me, and the score is such a prominent part of that. I wanted to cover the entire score chronological to the plot. The approach we took was to preserve much of the original while adding more pianistic tendencies where it felt right.
Augustine Mayuga Gonzales, on the Performance
One of my favorite pieces written by Rich, and David did a wonderful job with this arrangement. You really get a sense of the story arch from the original film and score. Special attention should be given in the opening 5/8 to not add accents as if playing in compound (3/8+2/8) meter.