Somewhere, our limbs lost in the distance

from Disasters for Piano by David Peacock

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Sheet Music
Edition 2 now available, courtesy of Materia Collective! 154 page book containing 13 piano arrangements, a bonus arrangement of 'The Last General' from Hyper Light Drifter, a transcription of 'Panacea', and reductions (simpler versions) of the 13 songs. New version features two additional songs: "Oklahoma" and "St. Valentine." 30 songs in total.

This product does not include digital sheet music, or the digital album. Contains identical tracklist/arrangements as digital version.
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Sheet Music
Digital piano music, featuring 154 pages and 30 total songs by Disasterpeace, arranged and engraved by David Peacock. Second edition courtesy of Materia Collective.

This product does not include the digital album. Contains identical tracklist/arrangements as physical version. Will be delivered as PDF to email within 1-2 business days after purchasing.

The PDF is included if you purchase the album, or available here for free: disasterpeace.com/sheet-music/disasters-for-piano.pdf . Purchasing this helps support Disasterpeace and Materia Collective on their mission to publish more video game sheet music.

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Disasters for Piano (Book)
Sheet Music + Digital Album
145 page booklet containing 13 piano arrangements, a bonus arrangement of 'The Last General' from Hyper Light Drifter, a transcription of 'Panacea', and reductions (simpler versions) of the 13 songs.

Includes unlimited streaming of Disasters for Piano via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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about

Somewhere, our limbs lost in the distance.

Rich Vreeland, on the Composition
The original score for the film Somewhere used the twinkle effects from the animation to come up with the rhythm of its thematic melody. Working on music and sound simultaneously has a certain cathartic, all-devouring effect on me - there are some nifty integrations of the two - one example is the bedroom clock creating a 5/8 polyrhythm against the music. Musically speaking this has kind of a small, indie vibe to it a la The Postal Service that grows more impressionistic and grandiose as the story unfolds.

David Peacock, on the Arrangement
This film left a lasting impression on me, and the score is such a prominent part of that. I wanted to cover the entire score chronological to the plot. The approach we took was to preserve much of the original while adding more pianistic tendencies where it felt right.

Augustine Mayuga Gonzales, on the Performance
One of my favorite pieces written by Rich, and David did a wonderful job with this arrangement. You really get a sense of the story arch from the original film and score. Special attention should be given in the opening 5/8 to not add accents as if playing in compound (3/8+2/8) meter.