Somewhere, our limbs lost in the distance

from Disasters for Piano by David Peacock

supported by

	/

Digital Track
Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Purchasable with gift card

$1 USD or more

You own this
Buy the Full Digital Album View the Full Digital Album
Sheet Music + Digital Album
145 page booklet containing 13 piano arrangements, a bonus arrangement of 'The Last General' from Hyper Light Drifter, a transcription of 'Panacea', and reductions (simpler versions) of the 13 songs.

Includes unlimited streaming of Disasters for Piano via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

ships out within 14 days

edition of 300 55 remaining

Purchasable with gift card

$25 USD or more

You own this
Subscription

Subscribe now to receive all the new music Disasterpeace creates, including 43 back-catalog releases, delivered instantly to you via the Bandcamp app for iOS and Android. Learn more.

Subscribe Now $5 USD/month or more

about

Somewhere, our limbs lost in the distance.

Rich Vreeland, on the Composition
The original score for the film Somewhere used the twinkle effects from the animation to come up with the rhythm of its thematic melody. Working on music and sound simultaneously has a certain cathartic, all-devouring effect on me - there are some nifty integrations of the two - one example is the bedroom clock creating a 5/8 polyrhythm against the music. Musically speaking this has kind of a small, indie vibe to it a la The Postal Service that grows more impressionistic and grandiose as the story unfolds.

David Peacock, on the Arrangement
This film left a lasting impression on me, and the score is such a prominent part of that. I wanted to cover the entire score chronological to the plot. The approach we took was to preserve much of the original while adding more pianistic tendencies where it felt right.

Augustine Mayuga Gonzales, on the Performance
One of my favorite pieces written by Rich, and David did a wonderful job with this arrangement. You really get a sense of the story arch from the original film and score. Special attention should be given in the opening 5/8 to not add accents as if playing in compound (3/8+2/8) meter.